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The ‘games we play’ include ‘listen’
Jane's World
JANE_040621
PLAYING THE GAME ‘lis-ten’ while lying in the sun on her deck relaxing is one of the ways that Jane finds to slow down, relax, and appreciate the blessings of the natural world around her. This robin, a perpetual symbol of spring, gave her a few moments of joy.

WEST FORK KICKAPOO - It’s a game I play, called Listen

It’s quiet. I’m lying on the back deck, an open book on my chest, and I’ve just woken up. My face is warmed by sunshine—it feels red, hot, tight. And I think, “This is a gift.”

It’s a gift I give myself—the quiet, the rest, the alone time. Then I play the game. I listenand I name the sounds I hear. 

The wind is rustling, pushing dried leaves across the deck. They sound like tiny bells as they roll past.

The spring run-off has swelled the creek from its normal trickle to a rushing stream, sounding as if thousands of bottles of champagne have been poured over the rocks. The water bounces through the creek bed under the flock of ducks, who are mostly silent, except for Wilma’s occasional shrill squawk of “Here! I’m here!”

The chimes that I insisted were broken for the first month after I hung them are now making harmony, the sound muted because, after I moved them four times (searching for the perfect place for them to dance), they ended up in front of the house, and I’m supine on the back deck.

I forget the game as I focus on their sweet melody, carried on the whoosh of the wind, willing myself to follow their notes while breathing deeply... Inhale love, exhale forgiveness.

But I’m brought back to the game by a sharp peep, peep, peep, followed by a chuckle. I sit up to see rust, then brown, a yellow bill, and a dark tail with white streaks. I lie back again and close my eyes, sighing, “Hello, Robin,” on a long, slow exhale.

Next I hear whimpering, which tugs at my heart. It’s Ruben, the youngest dog, who is also playing the game of Listen. He heard me move, knows I am here, and cries to join me. He’s safe and warm, and moments ago was contentedly lying in his king-sized kennel with Téte and Finnegan on this God-given day, until I shifted and his desire to be with me overwhelmed him.

Suddenly, a sharp pang of sorrow slices through me and I remember: I am not in the woods.

I am not following the West Ridge Trail through the vast meadow, where often I spy slumbering garter snakes on the well-worn path. I am not threading my way through the crests, curves, and saddlebacks of the forest two miles down to the sitting place. 

The sitting place, where we always stop. Where I plop down on a log and watch the dogs, who arrived there long before me, already refreshed from the icy waters brimming with shiny watercress. Where on a hot day I can dip my bandanna into the stream, squeeze out the excess water, and wrap it back around my head.

There, the rocks still cradle the old spring from a long-ago farmstead. There I can listenfor days on end, catch a frog, watch bugs stride across water, and sit so long I can't tell where my body ends and the log begins.

I take root there. And I don’t care about time because there’s nowhere else I need to be on a Saturday.

But today I’m not there. I’m not backtracking a hop, skip, and a jump from the sitting place to the only thing I’ve ever adopted that doesn’t have fur or feathers: the Hanson Rock Trail.

I’m not pressing forward, sweat on my brow, the pups leading the way, noses to the ground, pulling in the delicious smells, while I search for the first signs of spring: the near-perfect bloodroot, the stripe of the first lavender-colored spring beauty, the neon scarlet caps, or the purple skunk cabbage that has already heated its way up through the marshland.

I am not huffing or puffing from the exertion of climbing, and then standing at the overlook from where, on a clear day, I can see Organic Valley and the village of LaFarge. 

I am not well. I am napping in my backyard, unable to hike, still—long after the time I expected to have my body back, the gremlin long gone, and the newly replaced hip propelling me forward through my beloved world of trees and natural noises.

Something’s gone wrong, or maybe I’m impatient, or I’m back to having a bad back. But, I am not where I want to be. Not where my heart is. I am almost out of my mind with longing, a dark, deep sadness, like missing a friend who was always there, who always listens

My body can still work, and I do. I can function. I can write, teach classes, read, and pray. I can survive. I can be thankful. But I still wish I were deep in the woods.

I could be angry, raging mad, shouting, “I’ll sue those bastards who made a hip that flaked apart in my body, causing this hell!”—or I can be silent and listen.

Letting my eyes close, I breathe in love, exhale forgiveness. I savor this gorgeous spring day and that I am alive. Even if just for now, I can simply listen.
Mice paddling a canoe?
Random Thoughts, August 3
Mice paddling a canoe
This is a reproduction of a Huppler card drawing, done with tiny black dots. He gave it to me in 1961 when he was living in Muscoda with his father.

MUSCODA - Probably few folks in this village remember when mice in Muscoda paddled canoes and/or drove a Hudson roadster automobile. Don’t worry, the little rodents existed only in the mind of a Muscoda native and artist, Dudley Huppler.

         Huppler was born in Muscoda August 8, 1917. He attended high school in Muscoda where he developed a life-long interest in reading. He then enrolled in the University of Wisconsin-Madison, receiving  bachelor’s and master’s degrees.

         He first worked for the WPA, a make-work federal program during the Great Depression when jobs were scarce. He later returned to the U.W. as a teaching assistant.

         Through the years he made frequent visits to Muscoda to visit his family who operated a meat market here. I interviewed Dudley in September, 1961. By then he was an international traveler with many connections throughout the art world. He also spent time teaching at the University of Minnesota and had studios in Santa Monica, California and New York City

         As an artist Dudley developed a system of tiny black dots to portray mice and other characters. He used the method in children’s books and on sets of cards that he marketed in New York City and small places like Ed’s Store and Ruth’s Dress Shop in Muscoda.

         One of his books has characters who lived in “Mouscoda”  during the 1920s, including a young girl who is given a croquet set and struggles to learn the game. 00

         His books for children are not among the collection at the Muscoda Public Library. However there is a book on local shelves that chronicles Huppler’s life and accomplishments.

         His life ended in August, 1988 in Boulder, Colorado. By that time he estimated he had created more than 38,000 drawing and paintings.